Levon Helm at the Borgatta Hotel & Casino, Atlantic City, New Jersey
Saturday, August 29, 2009
Levon Helm - From the Hawks to the Crows
When Levon Helm came to Somers Point in the spring of '65, he was the leader of Levon & the Hawks, having left rockabilly Ronnie Hawkins and settling into the Jersey Shore scene as the houseband at Tony Marts.
Now he's come back with the Crows, the Black Crows.
I thought Levon had top billing and the Black Crows were going to open for him, but I had it backwards, and Levon and friends opened for the Crows, who recently spent some time at Levon's studio barn in Woodstock, recording a new live double album, "Before the Frost...Until the Freeze," with a unique marketing approach.
[For more see Bobby D's interview with Crows drummer Steve Gorman
http://www.pressofatlanticcity.com/ats/entertainment/article_003d921a-7f71-53b8-9489-2824e1d6e138.html ]
It was just as well because Levon wasn't singing (Doctor's orders), and it was easier for some of the Crows - Chris and Rich Robinson and Gorman, to sit in with Levon's band than to get a jam going later in the night. Since the casinos make the bands wind up early to get the people into the casino, the second show isn't always the longest or the best, as it usually is in a nightclub. So they had to pour it on all at once and fit it into a neat one hour set, and they did.
At some point early in the proceedings, it was announced that Levon wasn't going to sing, and Chris Robinson of the Crows came out and sang parts of a few songs, including "The Weight," which they took turns singing verses.
Levon should certainly get the Comeback of the Year Award, having survived lung cancer, he was knockin' on heaven's door the last time we saw him at the now defunct Bubba Mac Shack in Somers Point a few years ago (See Photo of Levon with Tony Marts T-Shirt). He had a good band with him then, and he was showcasing his daughter Amy, who has certainly matured into a real stage talent with a fine voice.
Then after beating the cancer, and getting his voice back, Levon cuts Dirt Farmer, which wins all kinds of awards, and puts his name in lights - solo, without the Hawks or The Band.
There were some familiar faces on stage however, besides Amy, especially guitarist Jim Weider,who played guitar with The Band when they played the first Tony Marts Reunion at Egos in the 1980s. Jim was on his honeymoon when he came to the Jersey Shore, and standing next to him on stage is Larry Campbell, who also produced "Dirt Farmer" and the recently released "Electric Dirt."
They also have a live 2 CD set of a live concert they did, which includes some classic Band tunes, "Ophelia," and a mandolyn playing Levon singing "Atlantic City."
While that song was a natural for this show, nobody else probably knew the words (as penned by Bruce Springsteen), but for the songs they did do, everybody seemed to pitch in and take over different vocal chores that are usually handled by Levon.
I mean Levon's voice gives impramatter to "The Night They Drove Old Dixie Down" and "The Weight" and the they're just different songs if sung by anybody else.
Besides Jim and Larry on guitars, and Amy singing, there's Larry's wife, who sings and plays acoustic guitar, and a boogie-woogie piano player with a Dr. John style, a four man horn section and a stand up base set up behind Levon's drums, on stage right, looking in, with the guitars up front.
They put the horns to work right away with the opening number, "The Shape I'm In," an old Band tune that sturs recognition, as does the somber "Long Black Vail," that Amy does so well, with dad on mandolyn, and letting the horns reign, each taking a solo. And Larry's wife gets to showcase her talent on guitar and vocals on "It Makes No Difference," complete with Rick Danko flashbacks, God bless him.
I thought they'd play a lot more new stuff that I wouldn't recognize, but even when they did I figured it out - "Deep Elm Blues," on which Jimmy shines on guitar, and a song that I happen to know something about, one that Steve Ray Vaughn would have known, since Elm Street in Dallas is just across the leve from his Oak Cliff neighborhood in Dallas. While in Dallas for a conference I asked a taxi driver to take me to "Deep Elm," which is a at the opposite end of town from Dealey Plaza, where the Texas School Book Depository is on Elm Street where it begins as a little ally bullets flew over in killing JFK. Deep Elm is an old red light neighborhood where there are still a number of bars with live bands - mainly blues and jazz, and that's what the "Deep Elm Blues" is about.
Where "Dirt Farmer" is mainly old country and folk songs that Levon grew up with in Arkansas, "Electric Dirt" has some unique renditions of some classic songs, like "Atlantic City" and "Deep Elm Blues." Then there's the interesting version of the Dead's "Tennessee Jed," that everybody recognizes and is on the new record.
Larry Campbell can sing too, as he does with a verse of "The Weight," and he really blew me away on "Chest Fever," which he takes from Band organist Garth Hudson, and makes it his own, playing Garth's brilliant and complicated introduction on lead guitar, note for note, he hits it, leading the rest of the band into one of their best numbers.
There's a line in "Chest Fever" that refers to the "Goons at the Dunes," which some locals to recall the burley bouncers at the old Dunes 'till Dawn nightclub, which was open all night with live music, on the Longport Blvd to Ocean City and Somers Point, a tidbit that I bet Larry Campbell doesn't know.
Eventually three of the Crows came out - Gorman and the Robinsons, making it a crowded stage, but they got into a grove and maintained it, for one hour.
While there was some concern about Levon's voice and the possibility of a relapse, Amy said that he will be singing again soon, though we'll have to track him down, and maybe even have to go to Woodstock to hear him sing in the barn.
Saturday, August 29, 2009
Thursday, August 27, 2009
Tony Marts Web Site
New Tony Marts Web Site
Tony Marts nightclub doesn't really exist like it once did on Bay Avenue in Somers Point from 1945-1982?, but it's still a big part of the personal evolution of anybody who was there, and now you can virtually go back to Tony Marts by visiting the on line web sit - http://www.tonymart.com/
I know Carmen and Nancy have been working on this for a long time, but I am really impressed. It's a great setting, fine photos, and good stories, to which I can't wait to add my own.
MORE TO COME ON THIS ONE
Tony Marts nightclub doesn't really exist like it once did on Bay Avenue in Somers Point from 1945-1982?, but it's still a big part of the personal evolution of anybody who was there, and now you can virtually go back to Tony Marts by visiting the on line web sit - http://www.tonymart.com/
I know Carmen and Nancy have been working on this for a long time, but I am really impressed. It's a great setting, fine photos, and good stories, to which I can't wait to add my own.
MORE TO COME ON THIS ONE
Monday, August 24, 2009
Levon with Tony Marts T-Shirt
Levon with Tony Marts T-Shirt, backstage at the Bubba Mac Shack, Somers Point, NJ
Sunday, August 23, 2009
Levon Helm at the Borgatta
Levon Helm at the Borgatta, with the Black Crows
Levon Helm will return to Atlantic City on top of the world, with top billing at the Borgatta, and as the headliner of his own show, after leaving last time almost dead.
The last time he was in town, Levon played the Bubba Mac Shack at Somers Point, but he was very sick, undergoing treatment for throat cancer, and couldn't sing, though that didn't stop him from playing drums while his daughter and others picked up the vocals.
Now he's back, with his voice miraculously cured, he's singing again, and sang his way to a Grammy with Dirt Farmer last year, and on track for some new material this year.
Opening for Levon and his band will be the Black Crows, the Atlanta, Georgia band that has come and gone in various stages, playing songs that run from basic blues to a heavy dose of Led Zeplin metal.
In their current incantation, they've regrouped at Woodstock, playing and recording in Levon's barn, where Levon also did most of Dirt Farmer, and where he plays to visitors on occasion.
Of course Woodstock is also where Levon and the Hawks went after leaving Tony Marts in Somers Point in August, 1965 and following Dylan, first to Forest Hills and other venues where they were booed by folk purists and changed the future and direction of rock & roll.
When Dylan was involved in a motorcycle accident, he recouperated at the Woodstock home recording studio of his manger, Albert Grossman, leading the Hawks to the same neighborhood, where they settled down at the house they called Big Pink, and began to call themselves The Band.
Now The Band has lost pianist Richard Manuel and bassist Rick Danko, who passed away a few years ago, and while guitarist Robbie Robertson has completed some solo recordings, and organist Garth Hudson has sat in with other people, Levon keeps plugging away, both at home at Woodstock and on the road.
MORE TO COME ON THIS
Levon Helm will return to Atlantic City on top of the world, with top billing at the Borgatta, and as the headliner of his own show, after leaving last time almost dead.
The last time he was in town, Levon played the Bubba Mac Shack at Somers Point, but he was very sick, undergoing treatment for throat cancer, and couldn't sing, though that didn't stop him from playing drums while his daughter and others picked up the vocals.
Now he's back, with his voice miraculously cured, he's singing again, and sang his way to a Grammy with Dirt Farmer last year, and on track for some new material this year.
Opening for Levon and his band will be the Black Crows, the Atlanta, Georgia band that has come and gone in various stages, playing songs that run from basic blues to a heavy dose of Led Zeplin metal.
In their current incantation, they've regrouped at Woodstock, playing and recording in Levon's barn, where Levon also did most of Dirt Farmer, and where he plays to visitors on occasion.
Of course Woodstock is also where Levon and the Hawks went after leaving Tony Marts in Somers Point in August, 1965 and following Dylan, first to Forest Hills and other venues where they were booed by folk purists and changed the future and direction of rock & roll.
When Dylan was involved in a motorcycle accident, he recouperated at the Woodstock home recording studio of his manger, Albert Grossman, leading the Hawks to the same neighborhood, where they settled down at the house they called Big Pink, and began to call themselves The Band.
Now The Band has lost pianist Richard Manuel and bassist Rick Danko, who passed away a few years ago, and while guitarist Robbie Robertson has completed some solo recordings, and organist Garth Hudson has sat in with other people, Levon keeps plugging away, both at home at Woodstock and on the road.
MORE TO COME ON THIS
Monday, August 17, 2009
The Secretary who Changed the World
The Secretary who Changed the World
& The Legend of Woodstock before the Festival.
The legend and the legacy was set before the festival was even envisioned.
It's hard to say exactly where to begin, New York, Somers Point, Montreal, but the Woodstock myth began in the Manhattan office of Albert Grossman, the entertainment manager whose stable of acts included one Bob Dylan, folk singer extradonaire on the rise.
Dylan had come in to the office excited recently, and made Grossman sit down and listen to this - "Once upon a time you dressed so fine, didn't you......?"
They knew "Like A Rolling Stone" was a hit right off the bat, without even having to test it on somebody else's ears.
The Byrds had taken Dylan's folkie "Mr. Tamborine Man" and made it a rock and roll song with drums and electric guitars, and now with "Like A Rolling Stone," Dylan was writing rock & roll, and you could sense the direction he was going, and it wasn't to Woodstock.
As the legend goes, Dylan asked Grossman, his manager, about getting a rock and roll band to back him on his next tour, and who would Grossman recommend.
I don't know if they asked her opinion, or if she overheard the question and volunteered her feelings, but being from a small town in Canada, she knew that the Hawks were the best rock & roll band she had ever seen.
Rockabilly Ronnie Hawkins had left the band, and they continued on the road under the name of Levon & the Hawks, after drummer Levon Helm, from Arkansas, the only American in the Canadian band who had toured with Hawkins for years.
Grossman asked where the Hawks were playing and found out that their manager, Colonel Kutlets, had booked them into a nightclub in Somers Point, New Jersey - Tony Marts.
Without ever having seen or heard of them, and based totally on this unknown secretary's opinion, Dylan got the phone number for Tony Marts and gave them a call.
Levon had never heard of Bob Dylan, and when Dylan asked them to back him at Carnege Hall, Levon asked who else was on the bill.
"Just us," Dylan said, incredulously.
So Levon and the Hawks went up to New York and met with Dylan and Grossman and agreed they would get out of their contract at Tony Marts and back Dylan at Forest Hills, a tennis stadium just outside New York city.
Although Anthony Marotta, aka Tony Mart, didn't like the idea of the "best rock and roll band on the East Coast" breaking their contract and leaving before the Labor Day weekend, he let them off the hook, gave them a cake and fairwell party and wished them luck. He called Colonel Kutlets and asked for a new band to replace the Hawks and Kutlets sent Tony a new band, Mitch Ryder and the Detroit Wheels, who had a hit, "Devil With the Blue Dress."
But luck the Hawks didn't have.
When Dylan plugged his guitar in at Forest Hills, the old folkies booed him, but he played on.
Levon really didn't like it however, and after a few gigs he left and went back home to Arkansas.
Then Dylan was in a motorcycle accident, and rumors were he died, or was on life support, and then that he was okay but just really banged up and in seclusion while recouperating.
Word eventually filtered out that Dylan was recouperating at Al Grossman's house at Woodstock, New York, an historic artists community with a history that dates back to the turn of the last century.
Joining Dylan at Woodstock were some of the Hawks, who leased a pink duplex in nearby West Saguarties, and jammed in the basement. Around town they became known simply as "the band," and eventually adopted that name. Their first album, "Music From Big Pink," showed the Big Pink house on the cover, and featured a painting by Bob Dylan on the back. A few of the songs were written by Dylan as well.
Then came bootleg recordings, pressed into bootleg LPs with a plane white cover, known as "The Basement Tapes," ostensibly recorded in the basement of Big Pink, and featuring Dylan, not only singing old and new songs, but talking and telling jokes.
The one joke from the original Basement Tapes I remember, that didn't make it to the official release years (decades?) later, is the story of the Checkmate Coffee House of East Orange, New Jersey.
Dylan says he went there once, and paid for his coffee with chess piece, a rook, and got a knight and pawn for change. Or something like that.
But "Music from Big Pink" and "The Basement Tapes" put Woodstock on the map in the back of a lot of people's minds, a year or so before they began to put the festival together.
And after the festival was moved to Bethel, fifty miles from Woodstock, and The Band performed the festival, both the original town of Woodstock and The Band, got left in the festival's wake.
For some reason, and I think Grossman advised The Band not to permit it, but The Band is conspiciously absent from the Woodstock movie and soundtrack, which is not an accident. I don't think they, The Band, at Grossman's advise, permitted them to use them in the Woodstock film, just as The Band's version of "The Weight" is not used in the Easy Rider film or soundtrack, but a cover band's version. And I think that decision was Grossman's.
Around 1986, after seeing the Band and the Band minus Robbie Robertson, and Danko and Manuel together a few times, I helped arrange for the Band to return to Somers Point for a Tony Marts reunion at Egos, the new disco nightclub that was built on the Tony Mart site.
After we booked the Band, but about six weeks before the show, Albert Grossman, Tony Marotta and Richard Manuel all died within a few days of each other.
The show however, went on. And while they were in town, I got to know Rick Danko, Levon and Garth Hudson a little bit on the personal level.
While Rick passed on a few years ago (after playing the Good Old Days Picnic at Kennedy Park), both Levon and Garth returned to Woodstock and live there today.
The Woodstock museum and arts center is not in Woodstock however, but in Bethel, where the festival was held.
There is no doubt however, that rock & roll history was made when Bob Dylan joined forces with the Hawks - electrified Forest Hills and the music scene, and then hibernated at Woodstock, establishing the Woodstock legend years before the festival.
And it only happened because Albert Grossman's secretary knew the answer to the question of who was the best rock & roll band on the East Coast.
Why that would be the Hawks.
& The Legend of Woodstock before the Festival.
The legend and the legacy was set before the festival was even envisioned.
It's hard to say exactly where to begin, New York, Somers Point, Montreal, but the Woodstock myth began in the Manhattan office of Albert Grossman, the entertainment manager whose stable of acts included one Bob Dylan, folk singer extradonaire on the rise.
Dylan had come in to the office excited recently, and made Grossman sit down and listen to this - "Once upon a time you dressed so fine, didn't you......?"
They knew "Like A Rolling Stone" was a hit right off the bat, without even having to test it on somebody else's ears.
The Byrds had taken Dylan's folkie "Mr. Tamborine Man" and made it a rock and roll song with drums and electric guitars, and now with "Like A Rolling Stone," Dylan was writing rock & roll, and you could sense the direction he was going, and it wasn't to Woodstock.
As the legend goes, Dylan asked Grossman, his manager, about getting a rock and roll band to back him on his next tour, and who would Grossman recommend.
I don't know if they asked her opinion, or if she overheard the question and volunteered her feelings, but being from a small town in Canada, she knew that the Hawks were the best rock & roll band she had ever seen.
Rockabilly Ronnie Hawkins had left the band, and they continued on the road under the name of Levon & the Hawks, after drummer Levon Helm, from Arkansas, the only American in the Canadian band who had toured with Hawkins for years.
Grossman asked where the Hawks were playing and found out that their manager, Colonel Kutlets, had booked them into a nightclub in Somers Point, New Jersey - Tony Marts.
Without ever having seen or heard of them, and based totally on this unknown secretary's opinion, Dylan got the phone number for Tony Marts and gave them a call.
Levon had never heard of Bob Dylan, and when Dylan asked them to back him at Carnege Hall, Levon asked who else was on the bill.
"Just us," Dylan said, incredulously.
So Levon and the Hawks went up to New York and met with Dylan and Grossman and agreed they would get out of their contract at Tony Marts and back Dylan at Forest Hills, a tennis stadium just outside New York city.
Although Anthony Marotta, aka Tony Mart, didn't like the idea of the "best rock and roll band on the East Coast" breaking their contract and leaving before the Labor Day weekend, he let them off the hook, gave them a cake and fairwell party and wished them luck. He called Colonel Kutlets and asked for a new band to replace the Hawks and Kutlets sent Tony a new band, Mitch Ryder and the Detroit Wheels, who had a hit, "Devil With the Blue Dress."
But luck the Hawks didn't have.
When Dylan plugged his guitar in at Forest Hills, the old folkies booed him, but he played on.
Levon really didn't like it however, and after a few gigs he left and went back home to Arkansas.
Then Dylan was in a motorcycle accident, and rumors were he died, or was on life support, and then that he was okay but just really banged up and in seclusion while recouperating.
Word eventually filtered out that Dylan was recouperating at Al Grossman's house at Woodstock, New York, an historic artists community with a history that dates back to the turn of the last century.
Joining Dylan at Woodstock were some of the Hawks, who leased a pink duplex in nearby West Saguarties, and jammed in the basement. Around town they became known simply as "the band," and eventually adopted that name. Their first album, "Music From Big Pink," showed the Big Pink house on the cover, and featured a painting by Bob Dylan on the back. A few of the songs were written by Dylan as well.
Then came bootleg recordings, pressed into bootleg LPs with a plane white cover, known as "The Basement Tapes," ostensibly recorded in the basement of Big Pink, and featuring Dylan, not only singing old and new songs, but talking and telling jokes.
The one joke from the original Basement Tapes I remember, that didn't make it to the official release years (decades?) later, is the story of the Checkmate Coffee House of East Orange, New Jersey.
Dylan says he went there once, and paid for his coffee with chess piece, a rook, and got a knight and pawn for change. Or something like that.
But "Music from Big Pink" and "The Basement Tapes" put Woodstock on the map in the back of a lot of people's minds, a year or so before they began to put the festival together.
And after the festival was moved to Bethel, fifty miles from Woodstock, and The Band performed the festival, both the original town of Woodstock and The Band, got left in the festival's wake.
For some reason, and I think Grossman advised The Band not to permit it, but The Band is conspiciously absent from the Woodstock movie and soundtrack, which is not an accident. I don't think they, The Band, at Grossman's advise, permitted them to use them in the Woodstock film, just as The Band's version of "The Weight" is not used in the Easy Rider film or soundtrack, but a cover band's version. And I think that decision was Grossman's.
Around 1986, after seeing the Band and the Band minus Robbie Robertson, and Danko and Manuel together a few times, I helped arrange for the Band to return to Somers Point for a Tony Marts reunion at Egos, the new disco nightclub that was built on the Tony Mart site.
After we booked the Band, but about six weeks before the show, Albert Grossman, Tony Marotta and Richard Manuel all died within a few days of each other.
The show however, went on. And while they were in town, I got to know Rick Danko, Levon and Garth Hudson a little bit on the personal level.
While Rick passed on a few years ago (after playing the Good Old Days Picnic at Kennedy Park), both Levon and Garth returned to Woodstock and live there today.
The Woodstock museum and arts center is not in Woodstock however, but in Bethel, where the festival was held.
There is no doubt however, that rock & roll history was made when Bob Dylan joined forces with the Hawks - electrified Forest Hills and the music scene, and then hibernated at Woodstock, establishing the Woodstock legend years before the festival.
And it only happened because Albert Grossman's secretary knew the answer to the question of who was the best rock & roll band on the East Coast.
Why that would be the Hawks.
Friday, August 14, 2009
Dylan No ID Man
Dylan No ID Man
You're Bob Dylan? New Jersey police want to see some ID.
http://news.yahoo.com/s/ap/20090815/ap_on_en_mu/us_people_bob_dylan
By WAYNE PARRY, Associated Press Writer – 1 hr 31 mins ago
Rock legend Bob Dylan was treated like a complete unknown by police in a New Jersey shore community when a resident called to report someone wandering around the neighborhood.
Dylan was in Long Branch, about a two-hour drive south of New York City, on July 23 as part of a tour with Willie Nelson and John Mellencamp that was to play at a baseball stadium in nearby Lakewood.
A 24-year-old police officer apparently was unaware of who Dylan is and asked him for identification, Long Branch business administrator Howard Woolley said Friday.
"I don't think she was familiar with his entire body of work," Woolley said.
The incident began at 5 p.m. when a resident said a man was wandering around a low-income, predominantly minority neighborhood several blocks from the oceanfront looking at houses.
The police officer drove up to Dylan, who was wearing a blue jacket, and asked him his name. According to Woolley, the following exchange ensued:
"What is your name, sir?" the officer asked.
"Bob Dylan," Dylan said.
"OK, what are you doing here?" the officer asked.
"I'm on tour," the singer replied.
A second officer, also in his 20s, responded to assist the first officer.
He, too, apparently was unfamiliar with Dylan, Woolley said.
The officers asked Dylan for identification. The singer of such classics as "Like a Rolling Stone" and "Blowin' in the Wind" said that he didn't have any ID with him, that he was just walking around looking at houses to pass some time before that night's show.
The officers asked Dylan, 68, to accompany them back to the Ocean Place Resort and Spa, where the performers were staying. Once there, tour staff vouched for Dylan.
The officers thanked him for his cooperation.
"He couldn't have been any nicer to them," Woolley added.
How did it feel? A Dylan publicist did not immediately return a telephone call seeking comment Friday.
Bob Dylan caught out in the rain
Lauren Viera, Tribune Newspapers
August 17, 2009
http://www.chicagotribune.com/features/chi-tc-ft-dylan-0816-0817aug17,0,268995.story
Would you be alarmed if you spotted a strange-looking man wearing black sweat pants and a couple of raincoats wandering in the rain in your front yard?
Would you believe him if he told you he was folk legend Bob Dylan?
Yeah, right.
Such was the quandary the 22-year-old rookie New Jerseypolice officer Kristie Buble faced July 23, after investigating a complaint from the owners of a home for sale in Long Branch, N.J. They'd called the police after spotting an "eccentric-looking old man" wandering around their front yard. It was pouring rain, and the man was alone, looking haggard and lost.
When Buble caught up with the man and asked him to identify himself, he told her he was Bob Dylan. He said he was looking at a house for sale. Furthermore, Buble is reported on ABCNews.com as saying, "he didn't look like Bob Dylan to me at all. ... We see a lot of people on our beat, and I wasn't sure if he came from one of our hospitals or something."
After Dylan failed to present identification, Buble drove him to the hotel where he was staying. Turns out he wasn't some nut job from the local hospital, after all. Dylan was on tour withWillie Nelson and John Mellencamp.
Oops.
It's not the first time the "Like a Rolling Stone" songwriter's identity has been questioned. According to the Associated Press, in October 2001, Dylan was detained in Oregon while attempting to enter the backstage of his own concert -- almost, some might say, like a complete unknown.
You're Bob Dylan? New Jersey police want to see some ID.
http://news.yahoo.com/s/ap/20090815/ap_on_en_mu/us_people_bob_dylan
By WAYNE PARRY, Associated Press Writer – 1 hr 31 mins ago
Rock legend Bob Dylan was treated like a complete unknown by police in a New Jersey shore community when a resident called to report someone wandering around the neighborhood.
Dylan was in Long Branch, about a two-hour drive south of New York City, on July 23 as part of a tour with Willie Nelson and John Mellencamp that was to play at a baseball stadium in nearby Lakewood.
A 24-year-old police officer apparently was unaware of who Dylan is and asked him for identification, Long Branch business administrator Howard Woolley said Friday.
"I don't think she was familiar with his entire body of work," Woolley said.
The incident began at 5 p.m. when a resident said a man was wandering around a low-income, predominantly minority neighborhood several blocks from the oceanfront looking at houses.
The police officer drove up to Dylan, who was wearing a blue jacket, and asked him his name. According to Woolley, the following exchange ensued:
"What is your name, sir?" the officer asked.
"Bob Dylan," Dylan said.
"OK, what are you doing here?" the officer asked.
"I'm on tour," the singer replied.
A second officer, also in his 20s, responded to assist the first officer.
He, too, apparently was unfamiliar with Dylan, Woolley said.
The officers asked Dylan for identification. The singer of such classics as "Like a Rolling Stone" and "Blowin' in the Wind" said that he didn't have any ID with him, that he was just walking around looking at houses to pass some time before that night's show.
The officers asked Dylan, 68, to accompany them back to the Ocean Place Resort and Spa, where the performers were staying. Once there, tour staff vouched for Dylan.
The officers thanked him for his cooperation.
"He couldn't have been any nicer to them," Woolley added.
How did it feel? A Dylan publicist did not immediately return a telephone call seeking comment Friday.
Bob Dylan caught out in the rain
Lauren Viera, Tribune Newspapers
August 17, 2009
http://www.chicagotribune.com/features/chi-tc-ft-dylan-0816-0817aug17,0,268995.story
Would you be alarmed if you spotted a strange-looking man wearing black sweat pants and a couple of raincoats wandering in the rain in your front yard?
Would you believe him if he told you he was folk legend Bob Dylan?
Yeah, right.
Such was the quandary the 22-year-old rookie New Jerseypolice officer Kristie Buble faced July 23, after investigating a complaint from the owners of a home for sale in Long Branch, N.J. They'd called the police after spotting an "eccentric-looking old man" wandering around their front yard. It was pouring rain, and the man was alone, looking haggard and lost.
When Buble caught up with the man and asked him to identify himself, he told her he was Bob Dylan. He said he was looking at a house for sale. Furthermore, Buble is reported on ABCNews.com as saying, "he didn't look like Bob Dylan to me at all. ... We see a lot of people on our beat, and I wasn't sure if he came from one of our hospitals or something."
After Dylan failed to present identification, Buble drove him to the hotel where he was staying. Turns out he wasn't some nut job from the local hospital, after all. Dylan was on tour withWillie Nelson and John Mellencamp.
Oops.
It's not the first time the "Like a Rolling Stone" songwriter's identity has been questioned. According to the Associated Press, in October 2001, Dylan was detained in Oregon while attempting to enter the backstage of his own concert -- almost, some might say, like a complete unknown.
Monday, August 10, 2009
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